Records Relating to Special Collections Department | University of Miami Finding Aids
-N- -O- -P- -Q- -R- -S- -T- -U- -V- -W- -X- -Y- -Z-
The papers of the ALA (Agencia Latinoamericana) are divided in 3 major categories: the articles written by the contributors to the ALA (collected during almost 40 years), their correspondence, and the newspaper clippings of those articles.
The writers are mainly from Latin American countries and Spain, but with a few American and British writers also included, such as Waldo Frank and Hugh Thomas. The articles provide information on literature, journalism, sociology, economics and political history of the major powers of the world of that period, and in many cases relating to the Latin American countries.
The bulk of the collection is comprised of contributions from Víctor Alba, Marco A. Almazán, Luis Araquistain, Paul Andrade, Germán Arciniegas, Carlos Alberto Montaner, Ramón Gómez de la Serna, Julian Marias, Cristina Martin, Alberto Luis Sanchez, Salvador de Madariaga, Ramón Sender and Arturo Uslar Pietri. There are also articles by other distinguished authors, such as Miguel Angel Asturias, Alberto Baeza Flores, Alejandro Casona, Pablo Neruda and Alfonso Reyes.
Included among the ALA papers are articles written by Joaquín Maurín, who used the pen names of W.K. Mayo and Félix R. Anderson. He also wrote under the pen names of John Andersen and Julio A. Roy, but these articles ore not included in this collection. When signing correspondence, he used his own name, Joaquín Maurín, as well as J.M. Juliá and Ray Campbell. Joaquín Maurín's son, Mario, wrote some articles under the same pen name as his father, John Andersen.
The Richard Lewis Aldrich Papers contain the manuscript of his book Style in Mexican Architecture, published by the University of Miami Press in 1968, as well as a number of essays written by Aldrich during his graduate study.
The files also include classroom notes and exams, bibliographies, research notes, personal correspondence, five student term papers dated 1936-62, poetry records concerning his employment at the University of Miami and newspaper clippings on a Miami Beach gallery showing of his watercolor works.
Additional files contain domestic and foreign newspaper clippings, as well as a photograph, of a glider plane developed in 1922 by Edmund Allen. In correspondence, Aldrich mentions Allen indicating that the glider constructor/pilot, who was probably a close friend, assisted Aldrich and enabled him to complete his many years of study.
The Abner T. Allen Papers consist primarily of Allen's correspondence with family in New England during the mid- to late-1800s.
The papers of Abner T. Allen reflect his life as a farmer and merchant in the state of Ohio during the 1800's. The correspondence is typical of this period as the letter itself is folded to form the envelope, the address is printed on the outside, and the fold sealed with a wax seal. The majority of the correspondence was to Abner T. Allen from his parents, brothers and sister. These letters concerned all aspects of family affairs and travel between Chagrin Falls, Ohio, South and Western Warren, Massachusetts and New Hartford, Connecticut, where each of the families resided. The collection includes the following documents: leaf of cash transactions, booklet of expenses and revenues, an award. and two Last Will and Testaments; also included are invitations to social affairs.
Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.
The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.
The American Play Company Collection includes approximately two thousand and five hundred (2,500) play scripts from the American Play Company of New York City. The files include published and unpublished plays from the nineteenth century through the 1950s. The collection is a donation of Sheldon Abend, President of the American Play Company. Playwrights represented in this gift include sir James M. Barrie, David Belasco, Clare Boothe, George M. Cohan, John Colton, Clyde Fitch, John Galsworthy, Ruth Gordon, Oscar Hammerstein, Moss Hart, Ben Hecht, George S. Kaufman and many others.
The play scripts include original typescripts, carbon copies of typescripts, and printed texts of plays. Many scripts contain handwritten annotations such as dialogue insertions, corrections, and deletions. The play scripts includes productions of all genre and type, for a period of approximately one hundred and fifty years. Scripts contain production annotations for stage, lighting, sound, and casting purposes. The collection offers scholars and students the opportunity to examine play scripts with the personal annotations of production personnel, facts that provide unique information on the original production of plays. Notations for costumes, sets, and stage props offer insights to production styles and techniques, information not generally available in many published versions of plays.
The papers of Romanian artists Ticu Aramescu and his sister, Gigi Aramescu Anderson, contain exhibit programs, newspaper clippings, photographs of Gigi's paintings and of Ticu's sculptures. Newspaper clippings from Crónica, The Miami News, and Romanian newspapers, dated 1966-1981, cover exhibitions of the artists' works.
Exhibition programs from the Norton Gallery and Miami Museum of Modern Art document individual and joint showings. The papers also contain photographs of Ticu Aramescu's sculptures and of Gigi's paintings. Photographs also include several of Gigi Aramescu's presentation at Drury College in Springfield, New Jersey as well as sculpture and paintings from her home. Titles identify most of the photographed artworks.
In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.
In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.
This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.
The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.
enFAMILIA, Inc., the organization behind Art in Action, was created to provide Art education and Educational programs to help improve and preserve family life. Since its incorporation in 2000, enFAMILIA has worked in collaboration with forty-two (42) groups that include faith-based organizations, social service agencies, academic and art institutions. These partnerships have allowed enFAMILIA to provide over 240 school children with art education annually, as well as 1,500 adults with marriage and family education training.
Professional artists who have graduated or are attending universities throughout the United States such as, Juilliard, University of Miami, and New York University, among others, come to Homestead for two months in the summer and volunteer as teachers for the Art in Action summer camp. The camp is intended to recognize and foster local young talented children by opening up opportunities for their future, providing avenues of self-expression, and stimulating thoughts about issues of social impact. The Camp encompasses a diverse and intense curriculum of Music, Dance, Poetry, Visual Arts, Drama, Film and Photography.
The collection includes oral histories from Directors and Founders of local community organizations, students in the Arts in Action program, as well as immigrants to South Florida.
Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was professor of Hispanic Literature at the University of Miami from 1946 to 1967.
Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured.
Also included is sheet music belonging to his father, Rafael Balseiro who was a Puerto Rican composer.
Of special notice are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.
The Harold Bauer Papers consist primarily of correspondence between the University of Miami School of Music and Bauer regarding his master piano classes. The letters are primarily between Bauer and Bertha Foster, Dean of the School of Music until 1944, and Joseph Tarpley, School of Music Secretary from 1944 to 1951 and Assistant Dean until 1967. Correspondence files also include memoranda amongst University administration regarding Bauer's classes as well as with prospective students.
The collection also contains a few photographs, concert programs, and clippings.
Dr. Charles A. Bicking was an award-winning mechanical engineer active in the fields of Industrial Engineering, Industrial Statistics, Engineering Statistics, Operations Research, and Quality Control. A graduate of the Massachusetts Institute of Techology, Bicking has held numerous posts as an engineer, consultant, and lecturer in a number of countries. Bicking also published and presented dozens papers in the above fields. Bicking was an official U.S.A. delegate for the 1953 session of the International Statistical Institute in Rome. He won the ASTM Award of Merit in 1962. Some of the organizations, corporations, and associations that Bicking worked with include the American Society for Quality Control, the American Statistical Assocation, A.S.Q.C., Technical Association of the Pulp and Paper Industry, White Sands Missile Range, Carborundum Company, Hercules Powder Company, NASA, Nashua Corporation, Tracor Jitco, the American Society for Testing and Materials, and the Control Data Corporation.
The Charles Bicking Papers contains documents spanning across the entirety of Dr. Bicking's career, as described above.
The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.
Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.
Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.
The Florence Brigham Papers consist of four boxes of material totalling two cubic feet of files. The Papers include research materials Brigham compiled from numerous primary and secondary sources including articles and books, diaries, notes and other materials. Brigham also conducted interviews with early Keys residents, including many employees of the Federal East Coast Railroad Company. Newspaper clippings dated 1935-69 detail local history, "pioneers," hurricanes and other topics. In addition to these records, the files include correspondence with a number ofarchives and libraries, and photostats of original documents and maps. Brigham also collected prints of Marathon dated 1906-1960.
The Papers include notes on Keys deer, birds, reptiles and other animals, as well as clippings and notes on schools, churches, fishing, libraries and other institutions and activities in the Keys. Historical material includes copies of early maps, records tracing the title of Keys lands, and materials documenting the construction of the "Overseas Railroad" and the development of Marathon.
Professor Gregory Bush (History Department) and the Institute for Public History (IPH) have recorded a series of interviews around the issue of public spaces in South Florida. Participants, who are representative of the diverse cultural milieu of the region, reflect and provide insights on migration, gentrification, the history of individual neighborhoods, housing, and community services.
These voices help to articulate the ongoing discourse on public space as it applies to South Florida’s History of development. The recordings and accompanying transcripts of the oral history collection document the unique experiences of the region’s inhabitants. In addition, the collection serves as a repository of primary source materials for students, faculty and the general public.
This collection contains 26 bound and paginated 16th-century manuscripts describing contemporary conditions and military operations in the Canary Islands. It consists of a series of letters (15 items) and an assortment of other official documents (11 items). Twelve letters bear the imprimatur of King Philip II of Spain.
Primarily, the collection documents the administration of Lázaro Moreno de León, who served as governor of the islands of Tenerife and La Palma for two years (1582-1584). The last two items in the collection mark the end of Moreno de León's tenure and reference his successor, Juan Núñez de la Fuente, who served until 1589. Moreno de León appears in 18 of the items in the collection, either as subject or recipient (in the case of correspondence). However, the collection includes only one item bearing his signature: Item 18, authored by Diego de Ayala y Rojas, conde de la Gomera, and signed by Moreno de León as a witness.
During Moreno de León's tenure, an epidemic broke out on the island of Tenerife, causing considerable loss of life (documented at length in Item 22). The collection also reflects historical events following Spain's conquest of Portugal. During the dynastic crisis that followed the death of Portugal's King Sebastian in 1578, the throne was claimed by António, Prior of Crato, who was defeated by Philip II in 1580. By 1582, António had relocated to the Azores, where he attempted to establish a government in exile with the support of France. Item 3 provides a set of instructions for a dispatch boat that was sent to the Canary Islands that same year, after word of a possible attack by António. In early 1583, ships loyal to António did attempt an attack on the island of Gomera, but were repelled by local forces under the command of Ayala y Rojas and Moreno de León (documented in Items 18 and 19).
University of Miami Professor Emeritus Michael L. Carlebach’s photojournalism career began in New York and Washington DC. Upon coming to Florida, he worked briefly as staff photographer for the Miami Herald. In 1973, he began teaching at the University of Miami, which launched a thirty-year career in higher education. Dr. Carlebach taught photojournalism in the School of Communication, reestablished the program in American Studies, and chaired the Department of Art & Art History.
Throughout his life he remained a sought-after photojournalist with a discerning eye for the subtleties of the human condition and the comic aspects of everyday life. His photographs have been published in Time, People, The Miami Herald, The Fort Lauderdale Sun Sentinel, and The New York Times. His books include thorough scholarly histories of photography, such as The Origins of Photojournalism in America, and American Photojournalism Comes of Age, both published by Smithsonian Institution Press. He remains active as a photographer, scholar and writer. His latest book, Sunny Land, showcases his startling, humorous black and white images of the lesser documented “margins” of South Florida society. He is especially interested in illuminating the lives of people outside the glare of contemporary media, and in finding and memorializing extraordinary moments that would otherwise be lost.
The Michael L. Carlebach Photography Collection consists primarily of black and white photographic prints taken and personally hand developed by Professor Michael L. Carlebach. In general, the images are thematically grouped around journalistic pieces published in newspapers, or artistic topics such as portraits and landscapes. The collection also includes pieces shown in various exhibits as well as photographs made for special assignments like the George McGovern 1972 presidential campaign and the exclusive insider’s look at the Krome Avenue Detention Center for refugees in South Florida. Another highlight of the collection includes photographs dealing with the medical profession, especially children in hospital settings. In addition to photographing using 35mm black and white film, Carlebach shot color slides, vividly portraying the flora and fauna of the Everglades, historic structures such as Vizcaya Museum and Gardens, and news stories dealing with the environment. The entire collection consists of over 5,000 silver prints, color slides, and publications. Currently over 2,000 items are digitized and made available online.
The Virginia Spencer Carr Collection contains correspondence, research notes, interviews (transcripts and audio tapes), photographs, manuscript drafts of publications and other materials compiled and created by Virginia Spencer Carr in the course of her research and writing of John Dos Passos: A Life. John Dos Passos, a noted American literary figure of the "lost generation," published a number of important works, including the trilogy U.S.A.
Among important materials in the collection are the personal reminisces of family members, colleagues and contemporary figures of Dos Passos (notably, letters by Simone de Beauvoir, William F. Buckley, William Slater Brown, Frances Scott Fitzgerald, and family members of both Ernest Hemingway and John Steinbeck are included). The collection also includes extensive research files on the life and publications of Dos Passos and family members.
Founded in 1995 as the Human Services Coalition by Daniella Levine, Catalyst Miami is a non-profit community activist group. Utilizing a vast network of partner organizations and numerous initiatives, Catalyst seeks to equip the socially disadvantaged with financial and healthcare information, public benefits, and educational and economic opportunities. Through programs such as the Prosperity Campaign and Public Allies, Catalyst Miami promotes self-sufficiency, participation in civic life, organizational strength and respect.
This collection contains seven series including: Administrative Files, Initiatives, Conference Materials, Audiovisual Materials, and more. Within these series are various forms of correspondence, training materials, schedules and agendas, promotional materials, newspaper articles and photographs. The documents help reveal the social activist nature of the organization and shed light on some of the many accomplishments it has made through the years.
The Julian Corrington Papers contain teaching and academic files concerning the University of Miami in addition to materials on scientific research and literature. Class records and course materials, dated 1944-63, include syllabi, memos, lecture notes, book lists, lists of research topics, correspondence with students and student recommendations. Other correspondence and memos, relating to the Biology Department discuss such topics as the curriculum, course requirements, faculty meetings and building plans. University of Miami "faculty notices," and "university memoranda" cover announcements of library news, information on education, and the Science Department. The records also contain publications such as "Self Portrait of a University," and a program from the 1962 dedication of the Otto G. Richter Library. Correspondence with faculty of other universities discusses the merits of general introductory science courses versus more specialized instruction.
Several files contain manuscripts and correspondence dealing with publications. Other files include materials on the electron microscope and include photographs taken through the microscope, reprints of articles and news clippings relating to the microscope. "Field Check Lists," dated 1917-21, and field trip reports record observations on the sea coast at Georgetown University. Photographs document trips led by Corrington. Reprints and publications on various scientific topics as well as and bulletins, newsletters, and programs from various scientific and scholarly organizations are included in files. Additional files of particular interest contain newspaper clippings and literature from various organizations on eugenics, genetics and the teaching of evolution. Corrington collected these materials, dated 1920-44, for inclusion in class lectures.
The Charles Creighton Collection contains an illuminated manuscript on parchment, signed by Charles VI, last of the house of Habsburg, Holy Roman Emperor and King of Bohemia and Hungary-Croatia. It was the property of Prince Max of Baden until the end of the first World War.
The 33-page manuscript measures 8 by 11 inches, with illuminated borders in red, blue, and gold, and an artistically designed title in black and gold of royal insignia surrounded by implements of war and the crown of the king. The manuscript is bound in a gilded hand-embroidered binding of decorative design with ornamental ribbon ties and tinsel fringes. It is attached with a gold braided cord is the Royal Seal of Charles VI, measuring 4 1/4 inches in diameter with the inscription "Carolus VI Romanorum Imperator S. A. Hispaniarum et utriusque Siciliae Rex." The seal is enclosed in a decorated silver case which is intended to rest in a circular compartment in the center of a tooled Viennese leather binding in which the manuscript reposes. The manuscript is written entirely in Latin and confers the title of Marquis on Honuphrium Ianno Ernandes Arias for "Militiaque multa suae Fides, Constantia Sapienta, ac Fortitudinis Specima edidissent..." (translation: In long military service he displayed Faith, Constancy, Prudence, and Courage...) To legalize the document, it is signed in the autograph of King Charles VI "Yo el Rey," below which are the signatures of noblemen and dignitaries of state.
Included also are 15 separate pages of manuscript written in Latin. These pages also refer to the Marquis and are dated in May of 1731. An unsigned manuscript by one of the Ianno family consists of 5 lines and is written in French.
The Charles Creighton Collection also contains high quality facsimiles of several historical predominantly French documents from the 17th and 18th century. These are: a letter pleading for a 3 day postponement of Louis XIV's execution by Louis XIV dated January 20, 1793; two letters informing French generals of the Waterloo victory by the Duke of Wellington, dated June 14 and June 20, 1815; Vice Admiral Horatio Nelson's unfinished letter to Lady Hamilton, dated October 19, 1805; Napoleon's appeal to England for protection after his defeat at Waterloo, dated July 13, 1815; a note written by Marie Antoinette written just before her execution in 1793; and the last letter written by Robespierre, unfinished due to his being shot, with bloodstains at the bottom of the letter, dated July 27, 1794.
Allison B. Curry, Jr. served as Director of Public Service for Coral Gables from 1934 to 1939. Between 1939 to 1942 he was promoted to city manager. In 1942 he left to hold this same post for the city of Miami. From 1946 to the end of his career he was Director of the Dade County Port Authority as well as of the Miami International Airport.
The Allison B. Curry collection contains diplomas, photographs, a brochure on the metric system, two metric rulers (one in a leather sleeve with his name in ink), metric converters, a lighter with his initials engraved and a case, and a cartoon of Curry signed by city employees.
The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.
Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.
Collection contains information about and writings of designers from fashion design as well as interior design. Typescript of "Nobody's Fault but My Own, Unlimited", a memoir of Dora Sarin's memoirs of her Post-World War II New York fashion business.
Also contains 14 pieces of correspondence of interior designer David Hicks as well as 12 pieces of press clippings about Hicks, his work and family.
The Ruth Bryan Owen letters are intimate personal letters to a lifelong woman friend. Within the group there are different signatures and/or letterheads 1) Mrs. Ruth Bryan Leavitt 2) R with B imposed upon the R within a circle 3) Ruth within a circle 4) Daniel 5) Ruth (Daniel) 6) Dan. The letters signed "Daniel"contain much information on the life and career of Ruth Bryan Owen.
There is much on the lectures, the film she wrote, financed and produced in Miami, and its promotion and distribution, her family, etc., but with William jennings Bryan mentioned only indirectly most of the time.
Among these letters are examples of the postmark for Cocoanut Grove with the "a" Oct. 27, 1919 and without the "a" Jan. 12, 1925. The last part of the collection are the personal papers of Carrie Dunlap. Most deal with her academic background, others with her retirement years.
Gareth and Janet Dunleavy were historians of Irish literature and culture. The Gareth and Janet Dunleavy Collection was donated by Gareth and Janet Dunleavy in memory of Bernard Benstock, a colleague who served the University of Miami in many capacities.
The collection contains typescripts and articles by Gareth and Janet Dunleavy, as well as research materials for projects by both authors. Prominently featured are research materials on Mary Lavin, an Irish short story and novella writer who died in 1996. Of special interest among these research materials are copies of Lavin's working manuscripts, obtained by Professor Janet Dunleavy in the 1970s with the permission of Mary Lavin. Janet Dunleavy had planned a critical study of Lavin's work based on these materials, but had abandoned the idea. The collection also contains notes, letters, and other documents assembled during Gareth and Janet Dunleavy's preparation of their Douglas Hyde: A Maker of Modern Ireland (1991) and O'Connor Papers (1977).
The Eugene Dynner collection contains photograph albums, photographs, slides, negatives, and prints depicting historical Mayan sites such as the Altun Ha ruins in Belize, the Copán ruins in Honduras, the Quiriguá archeological site in Guatemala, various sites in the Yucatan peninsula in Mexico. The focus is on the sculpture and architecture found at these sites. Also depicted are the landscape, cities, and people of those countries in general.
Along with the photographic materials are a typescript by Eugene Dynner titled "Chinese Elements in Maya Art," and two issues of a periodical titled Muse News containing essays by Dynner.
The Phanor James Eder collection consists mainly of correspondence. The letters are from the mid 1800's to the early 1900's. The bulk of the correspondence is addressed to Santiago M. Eder, Dr. Eder's father. These letters are divided into local and foreign correspondence and are addressed to Santiago M. Eder by businessmen who bought or sold some sort of merchandise to him. Most of the letters deal with the sugar mills and other farm plantations owned by Santiago Eder. Although most of the correspondence belongs to Santiago M. Eder, there is some correspondence belonging to James Eder, Phanor's son and Charles (Chaz) and Henry J. Eder, Phanor's brothers. They all had a part in the Cauca Valley Agricultural Company. In this collection we also find correspondence dealing with the Cauca Valley Agricultural Company, a sugar mill owned by the Eder family. Just a small portion of the correspondence deals with the Eder family's personal matters.
Two microfilms, manuscripts and ledgers are included in the collection. The film and manuscripts are agriculturally related, dealing with the land of Colombia. The ledgers are records of businesses owned by the Eders.
The Eder Collection is primarily business related, but also has material which deals with the government of Colombia and some which deals with court cases in which Santiago M. Eder was one of the lawyers involved. The collection includes brochures and pamphlets about Colombia, which describe the land and the people. They seem to be commercially oriented. There are photocopies of material belonging to the United States National Archives which deal with legal matters. Most of these photocopies belong to group 59 of the National Archives in Washington, D.C.
The collection also includes a substantial number of maps, mainly of Colombia and the Caribbean/West Indies including one from a 16th Century atlas. The maps are housed separately from the rest of the collection.
The Clark Mixon Emery Papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).
A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.
Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.
The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-#10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.
The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.
The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life. The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.
Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.
Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.
The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness.
Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.
The David Ewen Collection consists of materials which pertain to several aspects of music, ranging from composers to opera houses and festivals, as well as his personal life and work. The papers follow the original order established by David Ewen.
The bulk of the collection contains information and some correspondence pertaining to American and foreign composers and serious and popular performers such as George Gershwin, Charles Ives, Igor Stravinsky, Gustav Mahler, Maria Callas, Bing Crosby, and other notable 20th century composers and performers.
The Henry Field Papers include the page proofs of the "M" project for FDR, a study of world population, migration and settlement undertaken to provide data for shaping post-war relocation strategies. The "M" Project papers contain the 666 studies done under the name as well as the history of the project. Franklin D. Roosevelt conceived the "M" project in 1940. The president believed that "...at the Paris Peace Conference decisions were made without adequate basic information," and intended the "M" Project studies to assist in relocating displaced groups after World War II in order to help prevent future conflicts.
Each of the "M" project studies originally included a brief summary, a longer summary with conclusions and a complete text. Six series including Reports, Translations, Memoranda, Administrative and Special Studies, comprised the final project report.
In the Report Series of the publication, Field includes summaries of reports which deal with population and settlement studies in specific areas as well as more general studies such as "Displacements of Population in Europe" concerning refugee problems created by World War I. (R-53, p. 41) The Translation Series, translated mainly from Russian and Japanese, concerns agriculture, colonization, population, industry and immigration in Russia, Japan and other countries. The Memorandum Series contains data on specific issues; many involve the Jewish population of European countries and others relate to the Palestine and Transjordan areas.The Lecture Series contains lectures given in New York City in 1944 on modern migrations (L1-L6), on immigration laws and policies (L7-L17) and Jewish migration agencies and organizations. Field states that the Administrative Series related primarily to the problems of Nazi Germany and included a section on "Women in Nazi Germany." He identifies the authors, Dr. and Mrs. Kempner, and explains that he did not write summaries for the studies "Since this series is completely out of date..."(p. 325) The summaries of only two studies appear in the Special Series. Both concern immigration problems in Russia. President Truman terminated the "M" Project before the completion of this series.
The Field papers also include manuscripts for three of the Field Research Reports. The first, an "Archaeological Report on North Arabian Desert Flint Implements" relates to a Peabody Field Museum expedition of 1928 and includes numerous prints of expedition photographs. The remaining manuscripts include an introduction to "Contributions to the Ancient History of the USSR..." reporting on a Peabody Museum expedition of 1960 and Field's "Mongolian Tour: A Personal Diary" published as a field research report in 1974.
The Firefly Zine collection is a collection of zines donated to the University of Miami Libraries by former residents of the Firefly, a local Miami collective house and important part of Miami's punk rock and activist subcultures. There are over 2,000 zines held in the collection.
Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.
The Firefly Zine collection in particular is significant for its materials documenting political beliefs and causes such as anarchism, direct action, women's rights, lesbian/gay/bisexual/transgender (LGBT) rights and environmentalism. There are also many zines about the punk rock music scene and subculture, the rights of indigenous peoples, and alternative forms of transportation such as bicycles. As with many zine libraries, there is also a strong collection of zines that are of a more personal nature. Zines about South Florida, Latin America and the Caribbean regions—important collection areas of University of Miami Special Collections—are also significant in number.
The Florida Documents Collection contains correspondence, diaries, military orders, invoices, receipts, and other documents related to various aspects of Florida history dating from 1777-1979. Topics covered include, but are not limited to the Seminole Wars, the Civil War, Fort Dallas, the Indian Key Massacre, Alachua County, the Cape Florida Lighthouse, the Cape San Blas Lighthouse, politics, land, and travel.
The collection also contains six diaries on 19th century community development in Florida authored by town developer, carpenter, handyman, and Civil War veteran Capt. Rufus W. Beaujean of Melbourne Beach in Brevard County, Florida. The diaries provide details of the many aspects of his work to develop his new community, repairing the boats of named neighbors, and socializing with, and executing chores for, named male and female residents.
The Florida Works Progress Administration (W.P.A.) Records document activities at the University of Miami in the Rare Books Project, a statewide effort initiated by the W.P.A. in 1940 to provide every library in the state with copies of rare books pertaining to Florida.
The Florida W.P.A. Records contain correspondence and transcribed copies of 13 monographs prepared by W.P.A. personnel. Most of the typewritten manuscripts bear the name of the W.P.A. worker that transcribed the monograph, along with information on the source library or sponsor. Some books that are represented in this collection may have been given to the University of Miami Library by the source library in exchange for books the University made available to the Rare Books Project. The collection includes correspondence, newspaper clippings, bibliographies, reports, transcripts, and public records.
The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."
Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.
Dr. Sidney Walter Fox (1912-1998) was a biochemist known for discoveries in the autosynthesis of protocells. Fox served as director of the Institute for Molecular and Cellular Evolution (IMCE) at the University of Miami.
The Sidney Fox Collection contains 9 NASA reports concerning the NASA Surveyor Program which took place from 1966 to 1968. The Surveyor Program was a NASA program that sent seven robotic spacecraft to the surface of the Moon, with the intent of demonstrating the possibility of soft landings on the Moon.
Also included is a 1978 interview with Russian-American inventor and engineer Dr. Vladimir Zworykin.
This collection consists of around 1000 letters, pamphlets, and documents pertaining to 1950's conservative activism. Garfield and Welti lived in South Florida and corresponded via letter, newspaper clippings, and self-produced pamphlets to conservative extremists around the country. The collection reflects anti-Communist, anti-African American, anti-mental health, and anti-semitic sentiment and activism.
The combination of personal letters, newsletters, newspaper clippings and magazine articles in the collection presents an incredibly well-rounded representation of the day to day lives the Americans who resisted the Civil Rights Movement and lived in fear of Communism and the U.S.S.R. The many newsletters and political tracts within the collection are invaluable research materials, while the personal letters create an intimate, nuanced picture of the lives of the writers in 1950s America.
The J. Garner Collection contains a 1900-1901 daily travel diary written by Dr. J. Garner. In the diary, J. Garner describes his experiences with British army Major H. H. (Herbert Henry) Austin's expedition that traveled from Cairo, Egypt to Zeila, Somalia via Lake Rudolf. In Major Austin's "Through the Sudan to Mombasa via Lake Rudolf" (published in Scottish Geographical Magazine, Vol. XVIII, 1902), Austin notes that a Dr. J. Garner joined the expedition in Cairo around the 7th of December - a few days prior to the beginning entry of Garner's travel diary - and mentions Garner throughout.
Garner's diary begins on December 14, 1900 and ends on September 6, 1901. At the end of the diary, Garner kept a list of deaths of members of the expedition, the reasons for which include "exhaustion," "shot for killing donkey," "heat apoplexy," and "speared by natives." Throughout the entries, Garner describes the condition of the men's health, the reasons why they fell ill and died, his own illnesses, the geography and climate of the land, and the social life and customs of the people that were encountered. There are several illustrations of the camp set-up as well.
The Theodore R. Gibson Family Papers document the life and work of Reverend Gibson, longtime Miami Commissioner during the 1970s and 1980s, and champion of Black Coconut Grove. The collection also contains materials documenting the civic activities and interests of Reverend Gibson’s wife, Thelma Gibson.
The collection includes albums that document Reverend Gibson’s family life, as well as his church, community, and political activities. The albums include photographs, letters of commendation, invitations, programs, biographical information, and numerous clippings.
The subject files provide evidence of the activities and interests of Reverend and Thelma Gibson, dating from the 1950s to the 1990s. Included are programs for services and events at Christ Episcopal Church and other area churches; speeches and invocations written by Reverend Gibson; letters received; and materials concerning the NAACP.
The clippings document the interests of Reverend and Thelma Gibson and highlight their work and accomplishments. A majority of the clippings are arranged chronologically and date from 1981-1990. Clippings arranged by subject document the activities of Reverend Gibson and his family, as well as other topics, and date from the 1960s to the1990s.
The Oliver Griswold Papers consist of four boxes of material totalling two cubic feet of files. The Papers contain several of his manuscripts and copies of articles, in addition to correspondence concerning these publications. Scripts of University of Miami television programs and files relating to the Radio and Television Department document his university activities during the 1950's.
Topics for television programs vary widely. One "historical" file contains background research and the script of a program on Dr. Henry Perrine and Charles A. Howe, two prominent figures in South Florida history. Correspondence with Howe's son, R.H. Howe, documents the experience of Howe and the Perrine family on the land known as the Perrine Grant. Several other program scripts based on bi-annual expeditions to Latin American countries documents the University of Miami's interest in this region.
A collection of several informally published papers, reports, bulletins, directories, brochures, articles and other documents, surrounding the Haitian culture both in and outside of the United States. Topics of interest include reports on the Haitian diasporic communities in South Florida and their economic situations, the history of Haitian refugees and detainees, and documents discussing Haitian civil rights in the United States.
The collection contains a selection of materials from the Sant La Haitian Neighborhood Center, located in Miami, Florida. Their organization is dedicated to providing a voice for the Haitian-American community in South Florida and assisting Haitian-Americans with any needs they may have in the following areas: social services, education, economic self-sufficiency, and access to health care.
Haitian Women of Miami-Fanm Ayisyen Nan Miyami (FANM) was founded in 1991 to work for the "social and political empowerment" of Haitian women and their families. FANM is an advocacy and social service agency in Little Haiti and serves the needs of low income women and their families as well as victims of abuse, neglect, violence, discrimination and racism.
The records include correspondence, flyers, posters and educational publications as well as photographs of rallies and events from the Haitian Women of Miami. Scrapbooks and newspapers from Haiti and the diaspora- such as "Le Floridien" and "The Haitian Times"- document political events and ongoing activism of women organizations, immigrant activists as well as local community happenings. The collection also includes substantial documentation of the activism of one of the organization's most notable activists, Marleine Bastien.
9 black and white photographs by Philippe Halsman (27.8 x 35.4 cm)
3 black and white photographs by Berenice Abbott (25.3 x 20.2 cm) matted.
5 black and white photograhs with an unlegible signature
The Historical Documents Collection includes letters, deeds, bonds, receipts, orders, position appointments, writings, and other documents that are individual in nature and do not belong to any particular collection. The materials represent a number of prominent figures in the areas of art, literature, music, science, scholarship, business, law, military, politics, diplomacy, and religion. The items range in date from 1642-1977, but the bulk date from the 1760s through the 1920s. Most of the materials are American in origin, although some are from Mexico and Europe, particularly Great Britain.
Individuals represented in the collection include, but are not limited to: Elizabeth Barrett Browning, Samuel Langhorne Clemens (Mark Twain), Charles Dickens, Oliver Wendell Holmes, Ralph Waldo Emerson, Washington Irving, Aldous Huxley, Rudyard Kipling, Ezra Pound, John Muir, Sigmund Freud, and Igor Stravinsky, Benjamin Butler, James Longstreet, Edmund Gaines Pendleton, Matthew Perry, William Tecumseh Sherman, Friedrich Wilhelm August Heinrich Ferdinand von Steuben, John Quincy Adams, Napoleon Bonaparte, Aaron Burr, Alexander Hamilton, Jefferson Davis, Ulysses Simpson Grant, Sam Houston, Andrew Jackson, James Madison, James Oglethorpe, William Howard Taft, Herbert Hoover, Thomas Paine, Woodrow Wilson, and King Louis XVIII.
Dr. L. A. Hodson was a Miami ophthamologist who had a strong interest in zoology. Dr. Hodson, a friend of professor of zoology and University of Miami president Jay F. Pearson, ventured on a number of trips to the Bahamas (a few times with Pearson) where he discovered a number of new species and collected hard to find species. These he donated to the University of Miami.
The L. A. Hodson collection contains clippings about these expeditions; correspondence; much of which concerns the securing of his visit, the donation, and an exhibit on the Cat Turtle that was set up at Tufts College Medical School; a photograph of Hodson taken by Pearson, and two typescripts: "The Discovery of the Cat Turtle," and "Notes on the Discovery and Biology of Two Bahaman Fresh-water Turtles of the Genus Pseudemys," the latter of which was co-written by Pearson.
The papers of A.S. Houghton (1866-1948) numbering approximately 4500 items consist of articles, printed matter, newspaper clippings, by-laws, legislative matter, and pamphlets. The material extends from 1905 to 1948 with the bulk of the papers falling within the period of 1929 to 1948.
The papers deal primarily with Augustus Houghton's work as a conservationist. The material is broken down into the different organizations with which he was involved. There is a large section of material dealing with the American Game Association, the Association for the Protection of the Adirondacks, and the
Camp Fire Club of America but they are not a major part of the collection because Houghton corresponded and kept files on a diverse number of conservation and wildlife organizations.
The correspondence to and from August S. Houghton is varied and he had several principal correspondents, all of whom shared with him their interest in conservation. His principal correspondents were: John B. Burnham, President of the American Game Protective Association, which later became the American Game Association; Carlos Avery, President of the American Game Association; Seth Gordon, President of the American Game Association; William Greely, leading member of the American Game Association; Erl Roman, Fishing Editor of the Miami Herald; Merlin Mitchell, Executive Secretary, Florida State Fish and Game Association and later secretary of the Florida Wildlife Federation; Jay N. (Ding) Darling, famous cartoonist and leading Florida conservationist; Dr. W.T. Hornaday, Zoological Gardens, N.Y.; Lithgow Osborne, Conservation Commissioner, State of New York; Raymond Torrey, Camp Fire Club of America; and Karl Frederick, President of the New York State Conservation Council. Houghton also corresponded with F.G. Walton Smith, Director of the University of Miami's Marine Laboratory (now the Rosentiel School of Marine and Atmospheric Sciences) and with Spessard L. Holland, Governor of Florida in the early 1940's.
The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.
Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."
Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.
Thomas Jefferson (1742-1826) was the primary author of the Declaration of Independence (1776), Governor of Virginia (1779-1781), the first Secretary of State (1790-1793), second Vice-President of the United Sates (1797-1801), the third President of the United States (1801–1809), the founder of the University of Virginia (1819), and one of the most influential Founding Fathers.
The Thomas Jefferson collection includes four letters by Thomas Jefferson, three official documents, an entry of merchandise, a biography, and twenty-six printed portraits.
Gertrude Jobes was born in Brooklyn, N.Y. in 1907, and is the author of a number of books including One Happy Family; Dictionary of Mythology, Folklore and Symbols; Outer Space; and The Motion Picture Empire. She often contributed her poetry to anthologies and avant-garde journals. She lated resided in Miami, Florida.
The Gertrude Jobes Collection contains typescripts and manuscripts by Gertrude Jobes. Included is an undated and unpublished 91 page typescript titled The Patriot and the Traitor: a tragi-comedy in three acts, an undated and unpublished typescript titled Tigers in the Bamboo Grove, assorted prose writings, and assorted poetry. Also included is biographical and genealogical data on Jobes, a sketch of Jobes, and correspondence from the years 1965-1969, chiefly on the subject of the illness and death of her husband James A. Jobes.
Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.
Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.
The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.
Richard A. Kahn was a lawyer and economist who taught
economics and business law courses, published numerous articles and held a variety of positions in the United States government. The Richard A. Kahn Papers, arranged in three series, contain correspondence, newspaper clippings, book manuscripts, copies of published articles, and marketing research. Much of the content of this collection concerns his work with various fishery institutions, such as the U.S. Branch of Commercial Fisheries and the Gulf and Caribbean Fisheries Institute.
The Kauffman Collection, comprised of the Mississippi papers, pertains to three generations of plantation families in southwestern Mississippi. The papers were first received in four wrapped bundles, or packages.
The first package of documents are those of Dr. John F. Carmichael produced from 1800 to 1845. The majority of these manuscripts date from the 1820s, but there is a good distribution of items from 1800 to 1837, the year Carmichael died. The last dated item, produced in 1845, is the distribution of Carmichael's own estate, as written by his nephew John Carmichael Jenkins.
These papers give a limited view of life in early Mississippi when it was part of West Florida, the Mississippi Territory, and after it became a state. As there is not much lengthy correspondence involved, it is difficult to obtain a deep understanding of activities around that time. The papers do, however, show that the early settlers in Mississippi were in rather dangerous and isolated territory; floods and disease were quite common, and food was simple and not in ample supply. The numerous receipts are effective in demonstrating the lifestyle of the people; what was bought and sold in the area indicates the degree of comfort in which the residents lived.
The quality of the materials themselves runs from fair to poor. Many items have pages missing or are torn, holed, brittle, and stained, some beyond easy identification. Most of the papers are small, single-paged items, but the legal documents and manifests are usually oversized and lengthy.
The second package in this collection is related to Dr. John Carmichael Jenkins, the nephew of the aforementioned John Carmichael. The materials were produced from 1827- to 1869. The bulk of these papers were written between 1835 and 1855, the years Jenkins lived in Mississippi. There are, however, two items which date from his years in Pennsylvania, and a copy of a sharecroppers' lease in 1869 for the Beverly Plantation, which apparently was in the control of Dr. Jenkins' elder son, John Jenkins, Jr.
These manuscripts are useful in understanding the business and social climate of the expansive and antebellum periods in Mississippi. They are more diverse and detailed than the letters to Carmichael. They show the lifestyle one would experience as a middle-class Southern farmer of the 1840s and 1850s.
The condition of the material is fair to good; most of the items are intact and only slightly faded. Colored paper is still in good shape, but the handwriting becomes harder to decipher than on the yellowed white paper generally used. Occasionally there is a page missing from a long letter, but almost everything is complete.
The third package of the Kauffman Collection contains those papers relating to Judge Josiah Winchester. These papers were produced from 1849 to 1893. There are many unsigned and undated drafts of letters, mostly dealing with Chinese labor immigration and miscellaneous notes and accountings.
These items were produced mostly from 1856 to 1888, with a thinning of the material from 1860 to 1865, during the Civil War, and again from 1874 to 1880. The earlier papers were probably left with this collection as received, the more important documents relating to wartime being removed. A single document from 1849 was received in this package, but it concerns lands belonging to the Bank of the United Sate (Pennsylvania) and probably not relative to Winchester. There are also a printed map of Adams County, Mississippi, and a length typewritten draft of a proposal sent to Congress concerning levee construction along the Mississippi, and a lengthy typewritten draft of a proposal sent to Congress concerning levee construction along the Mississippi River. These date from around 1893, five years after all documents with Winchester's name ceased to appear.
These documents are somewhat helpful in understanding legal procedure and domestic law during the 1860s and 1870s. Many of the receipts and bills are printed with handwritten inserts; the stationary shows some the flair of the period with its lettertype and occasional engravings.
The condition of the material is in a quite good state of preservation. There are few holed or brittle papers, and the ink quality has been retained. Unfortunately there are some incomplete letters and documents, some unsigned, and many undated.
The fourth and final package in this collection is the most fragmented. Here are papers and documents that are in disarray, belonging mostly to six groups. The papers of S.J. Hoggatt all relate to Judge Winchester: Winchester was Hoggatt's attorney. When the collection was received, however, these papers were separate from the rest of Winchester's correspondence. Most of Hoggatt's papers are letters to Winchester or bills received and paid through an account with the attorney. The period covered runs from 1870 to 1888.
The letters of the Dunbar family total seven items, running from 1799 to 1850. These probably belonged to Annis Dunbar Jenkins, but they too were separated from the Jenkins package when received. The Morgan Company and Morgan family papers, and an inventory concerning a lawsuit between family members over the ownership and distribution of George Morgan's estate.
The United States Bank at New Orleans seems to have been a part of the Bank of the United States in Pennsylvania; several of the tax receipts in the Jenkins collection belong with these papers concerning land deals and business transactions in Mississippi. Most of these items are business letters for the secretary for the bank trustees in Philadelphia to their agent, A. C. Ferguson, in Natchez. The time covered is from 1837 to 1866, but the majority of these papers were produced in the late 1850s.
The final group in the package consists of miscellaneous material relative to Mississippi. They run from 1803 to 1869, and some actually belong in Carmichael's, Jenkins', or Winchester's papers, but for some reason they were placed in this package when received. Other items in this group are single letters or unidentified notes which have nothing to do with the principle persons in this collection.
These papers are generally useful in understanding the activities of specific groups on a smaller scale. The Harris family letters give insight into the way of life experienced by poorer Mississippians after the Civil War. The Morgan family legal case demonstrates the greed and desperation for wealth after the collapse of the Southern economy during Reconstruction.
The material is in good condition except for the oldest of the papers, those being the Dunbar letters and a few of the miscellaneous papers from the early 1800s.
Dr. Lee Kjelson, a longtime Coral Gables resident, was director of choral activities at the University of Miami from 1967 until 1993, when he became professor emeritus. He also founded the Civic Chorale of Greater Miami in 1970, and served twice as its conductor.
The collection contains one phonographic record titled "Miami Beach Rhumba," assorted sheet music and lyrics, a document titled "Decreto Supremo No. 21060" by Victor Paz Estenssoro, former president of Bolivia, and an article titled "Les Marranes Espagnols et Portugais Les Communautes Juives Issues du Marranisme dans L'Historiographie Recente (1960-1975)" from Revue des Etudes Juives, vol. 136, regarding Jews in Latin America.
The personal papers of Frederick H. Koch, dramatist and educator, were donated to the University of Miami Archives by his son Fred H. Koch Jr., a Professor in Drama here at the University of Miami from 1939 to 1977. The collection was received in the early 1950's. Frederick H. Koch was a famous dramatist and gained fame from the founding of two major college theatre troupes as well as through his involvement in the production of native American folk drama.
The Frederick H. Koch Collection contains the personal papers of Frederick H. Koch and material he collected throughout his lifetime. The material extends from 1823 to 1947, with the bulk of the material concentrated in the period of time between 1905 and 1944. The bulk of the collection is composed of theatre programs collected by Koch. These come mainly from New York but there is a good selection of theatre programs from other parts of the United States. Many of these programs date prior to Koch's birth.
The personal papers are composed mainly of material from Koch's work as an English and drama professor at the University of North Dakota (1905-1918) and the University of North Carolina (1918-1944), including a large number of folk plays written by his students.
The correspondence in the collection is mainly correspondence within the Koch family, including many letters between Koch and his four sons: Robert, Fred Jr., Bill, and George.
Of special interest to the University of Miami is a folder containing material related to the University and the University of Miami Playmakers founded by Fred H. Koch Jr. in the 1940's.
Author Laura Kalpakian, described by some critics as one of the "most unheralded, brightest talents" in the country, has published several novels and short story collections, novellas, short stories, essays and interviews for magazines and newspapers including Cosmopolitan, Good Housekeeping, McCall's, Los Angeles Times, Miami Herald, and Hawaii Review.
The Laura Kalpakian Papers contain manuscripts and drafts of stories, novels, and speeches. Correspondence relates to the creation and publication of several works. Writings are arranged in chronological order within three series: Novels, Short Stories and Other Writings, and Short Story Collections.
The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.
The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.
The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.
The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.
The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.
As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.
The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.
The collection contains 15 photographs of “The Fair”, 1 photograph of the Commodore Ralph Munroe Marine Stadium, 28 photographs depicting scenes and people in Miami and Key West, 1 photograph shot in Copenhagen, Denmark, 1 photograph shot in Greece, and 1 photograph shot in Santa Cruz, California .
“The Fair” is a collection of fifteen 9 x 12 inch prints depicting scenes from a fair. According to a description that accompanies the images, they embody “a sense of the dark, unknown, pockets of foreboding within the happy arena of a fair. It is a look into the dark recesses, the fake walls, the grungy barkers, the dangerous looking men that strap you into a ride.” Scenes include rides, games, and food stands, as well as an aerial view of a fair. The images are printed on acid free paper using Epson Ultrachrome inks.
The image of the Commodore Ralph Munroe Marine Stadium is a 17 x 22 inch color print depicting grandstand seating overlooking the water. The stadium was constructed on Virginia Key in the 1964 and was initially used for powerboat racing. The stadium closed in 1992 following Hurricane Andrew.
Dr. Robert M. Levine (1941-2003) was the Gabelli Senior Scholar in the Arts and Sciences, Director of Latin American Studies, and professor of history at the University of Miami. Throughout his career, Dr. Levine exhibited a strong interest in Brazilian cultural and political history, Jewish Diasporas in Latin America, Cuban history, and Latin American history in general. His papers, donated to the University of Miami, reflect all of these interests in the form of video cassettes, periodicals, clippings, photographs, photocopies, notebooks, microfilm, microfiche, articles, and other materials.
Included in the collection are photocopies of a collection of records from the Jewish community of Curaçao in the 18th century; production materials and photographs pertaining to Dr. Levine's "Hotel Cuba" documentary on the Jewish Diaspora in Cuba; a dozen reels of microfilms of Brazilian newspapers from the 1930s; notes, photographs, and documentation from Dr. Levine's research on the Vargas period in Brazil; and two large, hand-drawn maps indicating Jewish establishments in the major commercial district of Old Havana during the pre-1959 period.
Edison Marshall was an American adventure and fiction writer active during the 1920s to the 1960s.
The Edison Marshall collection contains six typescripts and an undated photograph inscribed to Dr. Archie McNeal, former dean of the University of Miami Libraries. The typescripts are as follows: A publisher's copy of The Conqueror (1962), a publisher's copy of Cortez and Marina (1963), an original and corrected copy of Cortez and Marina which is titled "The Serpent and the Sword," a publisher's copy of The Heart and the Hunter (1956), a publisher's copy of The Inevitable Hour (1957), and a publisher's copy of Princess Sophia (1958).
Michael J. Maxwell was an architectural consultant whose firm, Michael Maxwell Associates, Inc., consulted the city of Opa-locka in the mid-80s on appraisal and restoration matters. This culminated in a Master Plan for the Restoration of Historic Opa-Locka City Hall, and a Nomination Proposal of several historical sites in Opa-Locka to the National Register of Historic Places. These two documents, as well as the planning materials, are held in the Michael J. Maxwell collection.
The collection also contains other Opa-locka related materials. Included are 1926-1927 Opa-locka price lists, a 1953 charter, copies of the Opa-locka Times from 1926 and 1927, letters including a 1926 letter petitioning for the establishment of a Post Office at Opa-locka, a history of Opa-locka brochure and preparation materials for the brochure, and other items.
The Miami Beach Jaycees is a Florida chapter of the United States Junior Chamber of Commerce (Jaycees for short). The not-for profit organization was founded in 1920 and has provided opportunities for men and women between the ages of 18 to 40 to develop leadership skills through community service. The Junior Chamber of Commerce International Headquarters was moved to Miami Beach in 1955.
The Miami Beach Jaycees Scrapbook documents the civic activities of the Miami Beach Junior Chamber of Commerce form 1952-1954. The collection consists primarily of photographs of conventions and social activities of the organization as well as newspaper clippings, documents, and a 1952-1953 yearbook of Miami Beach Jaycee.
"Archive of letters between members of the Michelson and Havens family, including correspondence from Kate C. Havens, a prominent female theosophist from Miami, Florida and Cloudland, Geogia. Approximately 75 letters plus newspaper clippings, ephemera, and a sketch book containing costume designs by Cleo Michelson. The majority of these letters are addressed to Cleo Michelson, a young lady, who is interested in the arts and would eventually marry Auriel Bessemer, a noted muralist of the New Deal. Cleo came from a well-established family from Miami. The letters are written from her brothers, sisters, parents, and grandparents. The family is well-educated, and the letters are articulate and well-written.
However, with the Depression looming over the country, her family is is in the midst of a crisis. Cleo's father has seen his business fortunes plummet, and he and Cleo's mother have separated. Her father eventually moves to Cuba where he attempts to revive his holding company. Her mother stays in Florida but is in terrible financial straits. One of Cleo's sisters writes regarding the lack of money and her mother's impoverished state - one which forces her to go days without eating.
In addition, as mentioned above, Cleo has been courted by Auriel Bessemer, who she meets in art school. A promising artist himself, they go on to marry in 1935. During the New Deal, Auriel was commissioned by the Treasury Department to create seven murals - "Historical and Industrial Scenes - Sketches of Virginia," for the first federal building in Arlington. The murals were conserved in 2007, and today, they remain in their permanent home in the U.S. Post Office Building in Arlington.
Most importantly, in this collection are a series of letters from Cleo's grandmother, Kate C. Havens, who splits her time between her home in Miami, Florida and a mountain retreat in Cloudland, Georgia. Mrs. Havens originally hailed from Chicago and was a prominent voice in the Theosophy movement of the time, delivering lectures, writing articles and becoming acquainted other notable theorists, including Anne Besant and Max Heindel. In Miami, she continued her involvement with Theosophy becoming the president of the newly formed Theosophical Society there in 1919. She was a free and very liberal thinker and also became heavily involved in the Women's suffrage movement, eventually becoming an officer on the legal status of women in the Florida State League of Women Voters.
Havens has a great affection for Cleo and writes her interesting heartfelt letters, which are mostly always infused with a Theosophical bent, injecting her views on spirituality and orientalism, providing her opinions on important theosophical readings, reporting upon her lectures given to the Theosophical Society in Miami, and giving accounts of two fascinating meetings with Pearl Buck and Dr. Alvin Kuhns." -Denning House Antiquarian Books & Manuscripts
The James A. Michener Papers consist of correspondence, notes, research materials and drafts of manuscripts created and compiled by best-selling author James A. Michener (1907-1997) in the course of his work on the novel Caribbean (1989).
Correspondence and memoranda found within the files provides information concerning the intellectual preparation required to compose an historical novel that spans more than four hundred years. Michener chose to preserve the results of his research and editorial efforts "... so that aspiring writers can see what work lies ahead for them if they finally succeed. Stated better, what work they will have to do if they want to succeed." Exchanges with editorial staff members throughout the stages of manuscript preparation, and the concurrent suggestions, recommendations and revisions to the manuscript noted on various "copies" of the manuscript illuminate the internal aspects of the modern publishing industry.
The author includes notes and correspondence concerning the logistical, financial and personal decisions that influence the creative process. The pervasive degree of experimentation, discovery and change inherent in the process of creative writing appears throughout the stages of this manuscript. The very title
of the novel, Caribbean, is a reflection of this evolutionary process, for the author first conceived on calling the volume Lost in the Sun.
The Dorothy E. Mills Collection contains materials related to her tenure as a stewardess of the Latin American Division and later chief stewardess of the Atlantic Division for the Pan American World Airways in the 1940s. Held in the collection are the following items:
Four letters by Mills to William Brown, Head of Special Collections in 1997, discussing the materials donated to the collection and her history with the Pan American World Airways.
An acceptance letter, an award letter (written and signed by founder Juan Trippe), and a resignation letter from Pan American World Airways.
23 8" x 10" photographs of Pan American World Airways flight attendants, with accompanying descriptions.
A scrapbook of clippings, photographs, and other materials by Mills about her life as a Pan American World Airways flight attendant
Two issues (including two duplicates) of Clipper Magazine, both containing articles about Mills.
Six newspaper clippings about Pan American World Airways.
George Augustus Moore (1852–1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist.
The George Moore Collection contains correspondence, an undated manuscript titled "Scenario," the galley proofs with corrections for his 1885 novel Mummer's Wife, and a typescript for his 1894 novel Esther Waters.
The correspondence consists of a series of letters and telegraphs between Moore and New York playwright and writer Edward Knoblauch (1874-1945), a letter from Moore to a "Nachey," several letters without a recipient name, two letters from D. M. Beth at Riverside Press Unlimited, a book printer from Edinburgh, discussing corrections on Moore's 1921 novel Heloise and Abelard.
The John Moultrie Collection contains the following three items:
(1) A sales report titled "Copy of Sales of Effects of Estate of John Moultrie" dated 1772. The commodities sold range from a plantation titled Goose Creek to slaves to "bush corn & peas."
(2) A 1786 letter addressed to a Lord Hawke. In this, Moultrie apologizes for having to leave London early and missing an engagement with Hawke, and asserts his gratitude to Hawke on behalf of the people of East Florida.
(3) A leaf excerpt of a letter, chronicling the fate of the British people living in East Florida after the American revolution. The leaf begins: "...about the time or just before the revolt of the Americas the governor of East Florida secured the Kings order restraining him from any further grants of land in the usual manner and terms, and ordering all the vacant lands in the province to be surveyed, advertised, & laid out in certain tracts and to sell them at public sale at certain periods - giving public notice thereof. This of course could not accommodate with lands those unfortunate people who were obliged to fly from their homes in the neighboring colonies on behalf of their attachment to Great Britain, into East Florida held out as a place of refuge by proclamation in consequence of his Majesties instructions to his governor."
The collection also contains typescripts of these documents, and a photocopy of an image of Moultrie.
The Helen Muir Papers include correspondence, drafts of writings, research notes, topical files, publications, photographs, clippings, materials relating to Robert Frost, and other items documenting Muir’s life, career, and service.
The correspondence dates from 1927-1995, and includes both personal and professional correspondence. Intermixed with the correspondence are notes, clippings, writings and other materials relating to the correspondent. Noteworthy files include Marjory Stoneman Douglas, former Florida governor Bob Graham, Richard and George Merrick, Eunice Peacock, and Janet Reno.
The collection also contains drafts of Muir’s articles and columns, research notes, and several magazines containing published articles. Also included are notes for her book The Biltmore: A Beacon for Miami, and extensive notes and chapter drafts for her book Miami, U.S.A.
In addition, the collection contains topical files on various subjects, including libraries, awards, photographs, and speaking engagements. Also included are scrapbooks documenting Muir’s life and career, as well as her 1929 class yearbook.
The Bernhardt E. Muller Collection is a compendium of newspapers, architectural drawings, renderings, and photographs related to the design and construction of Opa-locka, Florida, the nation’s largest concentration of Moorish Revival architecture. The city, incorporated in 1926, was the third Florida suburban real estate development of Glenn H. Curtiss, aviation pioneer and millionaire developer. Opa-Locka is the only known city in the United States that used Moorish Revival architecture as its original theme.
The contents of the Muller Collection fall into two distinct groups: architectural materials related directly to buildings designed by Muller and his staff; and supporting materials presumably collected by Muller that pertain to his work and the city of Opa-Locka. The vast majority of these materials are directly concerned with Muller’s work in the Opa-Locka and Miami area between 1925 and 1928. Supporting materials, including magazine extracts, brochures, and newspapers, date mostly from 1926 and 1927, with a few items from 1928, 1930, 1959, and 1960.
The Muller Collection’s importance concerns its detailed documentation of the progress of Opa-Locka from a developer’s dream to a constructed city. Opa-Locka was designed according to a specific theme: a combination of Arabic, Persian, and Moorish architectural styles. It is also the first known instance of a town developed from interpretations of a literary work, The One Thousand and One Tales of the Arabian Nights.
The collection contains construction documents, sketches, renderings, and photographs of Opa-Locka’s first buildings. Extensive material exists on the designs of the Opa-Locka Company’s administration building, now the City Hall, as well as plans for seventeen institutional and public projects, including the Archery Club, Bathing Casino, and Observation Tower, with unbuilt designs for a Golf Club, school, and Mid-Winter Southern States Exposition.
Eighteen commercial buildings are found in the Muller Collection, including many stores and apartments, as well as an unbuilt Chinese hotel. Sixty-three private residences of various sizes and designs are included in these drawings. It is probably that most of the work Bernhardt Muller ever did for Opa-Locka is contained in the collection. The majority of these drawings and materials date from 1926 to 1927, with only three drawings dated later than 1927.
The Muller Collection is significant for its documentation of the history and development of South Florida. The volume of work designed and media contents demonstrate and describe the magnitude of the Florida Land Boom, which peaked early in 1926, just as construction began on Opa-Locka.
The Muller Collection contains newspaper articles describing the hurricane that struck South Florida on September 17 and 18, 1926. The storm’s direct effect was a loss of 372 lives and $159 million in propery, but its long-term results included the onset of the land “bust” and an economic decline that preceded the Great Depression of the 1930’s. There are numerous articles and photographs of the hurricane's destruction.
The Ethel E. Murrell Papers document the activities of the National Woman's Party (NWP) under her leadership from 1952-53. The files include correspondence, newsletters and other materials with other women's organizations including the General Federation of Women's Clubs, the World Woman's Party, the American Woman's Foundation, and the American Woman's Council. The papers document the cooperative efforts of these groups in working for the passage of the Equal Rights Amendment, including articles written from 1938 to 1953 publicizing the Amendment.
Charters, minutes, speeches, press releases, resolutions, and correspondence dated 1946-53 detail Murrell's efforts as a lawyer, writer and political organizer. The files also highlight NWP attempts to promote its agenda. The papers are significant as a record of activity during the 1940's and 1950's, years considered by many as a period of decline between the two larger feminist movements of the early twentieth century and the 1960's. The records also include references to cold war anticommunism. One letter of resignation, for example, dated June 17, 1953 expressed a sentiment characteristic of several members: "...I wondered...if the 'pinkos' had not taken over. I certainly do not want to be connected with any organization that does not stand for good Americanism."
Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."
The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.
The Nicaragua Collection documents the Nicaraguan diaspora living in Miami during the 1980s, and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onwards until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Assocations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
Dr. George W. O'Connor was a criminal justice professor at the University of Miami, also active with the Center for Urban Studies. He also served as director of the Professional Standards Division of the International Association of Chiefs of Police.
The George W. O'Connor Papers consist of documents pertaining to his work in both academia and in the public sector. Many of the papers are concerned with criminal justice, firearms control, court structure and operation, local Floridian court systems, and correctional institutions.
Frank Warren O'Reilly was a former music critic for the Miami News and founding president of the Miami-based Chopin Foundation.
The F. Warren O'Reilly Papers consist of newspaper clippings of articles written by O'Reilly, correspondence and photographs.
A bound typescript of "Der II Weltkrieg Inhaltsangabe" by Willy Ottmann presented to Dr. Grover A. J. Noetzel, a University of Miami professor. The papers also include hand drawn maps.
The translated title is : "World War II - Prisoners and Prisons"
The records of Pan American World Airways, Inc., begin with the company's founding in 1927, and provide a fascinating perspective on the growth and development of a modern aviation corporation. Examples of early records include a volume entitled "Passenger Traffic Statistics, From December 18th, 1929 To December 5th, 1934." The handwritten entries in this logbook record the names, destinations, fares, flight numbers, and nationalities of passengers. Individual remarks for passengers include annotations such as "First woman passenger," First Miami Passenger" and "Passenger's Weight 242 lbs."
The records of Pan Am include administrative and financial files; technical,mechanical and research reports; extensive public relations and promotional materials; internal publications including newsletters, journals and press releases; and other materials. Extensive photograph files, albums and scrapbooks also document the world-wide history of Pan Am, as a pioneer in the development of aviation equipment, air routes, commercial passenger service, navigation techniques and communication systems.
The Pan Am collection is available for research. It consist of approximately 1,500 linear feet of files. A preliminary, folder-level inventory provides a brief overview of the contents of the files.
An archive of letters sent by Stanley Chapman (London) to Juan Esteban Fassio (Buenos Aires-Argentina). The collection contains 254 manuscript and typewritten letters, all signed by Stanley Chapman, addressed to Juan Esteban Fassio between March 5, 1957 and May 24, 1978. Three letters mention the visit of Jorge Luis Borges to London in 1971. The papers also include 95 photographs, many with handwritten commentaries by Chapman on the reverse.
The letter archive reflects a writing relationship of over twenty years between two persons who had in common a Pataphysical vision of the world around them, to the point that Chapman employed pataphysical language in the majority of his letters.
The majority of the collection consists of official publications documenting a variety of facets of Perón's political career, including his involvement in the 1943-1946 military government, his first two presidential terms (1946-1955) and his third (1973-1974). Most of these official publications are reports on his policies and political activities, his own writings, or transcripts of speeches. Several of these record conjoined efforts by Perón and Eva, his well-known first wife, as well as with Chilean president Carlos Ibáñez Del Campo.
Also contained in the collection are pamphlets and other materials which treat Peronism (or Justicialism) and its critics; two series of satirical pro-Peronist periodicals called "Alpargatas Humorísticas" (6 issues) and "Descamisada" (31 issues); 8 postcards which depict aspects of Eva Perón's social work; two paper masks of Juan Domingo Perón and Eva Perón; two autographed photographs of Juan Domingo Perón and Eva Perón; and other ephemera.
Dr. P. A. Phillips was a history professor at the University of Miami.
The P. A. Phillips Collection contains materials from three of his history courses - two undergraduate and one graduate - where students were asked to interview a World War II veteran and compose an oral history report based on that interview. The materials include essays, transcripts, and videocassettes.
The material from the William Lyman Phillips Papers (1885-1966) ranges from 1929 to 1964. The collection mainly consists of Phillips' landscape work; it is made up of originals, brown-line and blue prints, and photographs. Among this collection are complete sets of working drawings and landscape work designed by other architects and engineers.
The Mountain Lake Corporation makes up a large portion of the collection. Phillips was leading the project for the Boston-based Olmstead Bros. Landscape Architecture firm which he worked for. Phillips worked on the revision of state road no. 20 as well as the entrance for the capital in Tallahassee. Woodlawn Cemetery and the Indian Creek Club, both of which are located in Miami, also contitute large portions of this collection. Phillips completed design work for the University of Miami as well as various parks including Greynolds, Redland, Phipps, Matheson Hammock and Fairchild Tropical Gardens. While Phillips worked for the government, he designed plans for several of the keys and the overseas toll bridge. The Phillips collection contains working drawings and two low rent housing projects: one located in Tampa and the other in Bradenton. The rest of the work in the collection consists of residences and churches in the south Florida area.
The Leo Price Collection contains a single scrapbook compiled by Leo Price which chronicles the story of the Bonus Expeditionary Forces, an assemblage of approximately 43,000 protesters - some 17,000 of which were World War I veterans and their families - who marched on Washington in 1932 under the encouragement of retired U.S.M.C. Maj. Gen. Smedley Butler. The veterans, many of whom had been out of work since the beginning of the Great Depression, demanded immediate cash payment of Service Certificates granted to them eight years earlier via the Adjusted Service Certificate Law of 1924. The march was suppressed by the U.S. army under the leadership of Douglas MacArthur and George S. Patton.
The scrapbook tells the story by means of newspaper clippings, photographs, and a piece of fabric.
Jesse Wooley was a professional photographer from New York who visited Florida in 1896. Wooley used his trip to create a stereopticon or lantern-slide lecture about Florida. Several of these lantern slides were colored.
The Eugene Provenzo Collection contains a manuscript by Provenzo and William E. Brown titled "From Ice to Snow to Flowers and Fruit: Jesse Wooley's 1896 Tour of Florida." The manuscript by Provenzo and Brown aimed to reproduce this lantern-slide lecture with the original lecture notes, as well as to provide a historical analysis of lantern slide lectures and a biographical essay on Jesse Wooley. The collection also contains correspondence regarding the manuscript, duplicate pages of the manuscript, research documents and notebooks, photographs and photographic slides taken of the surviving lantern slides, clippings, articles, and other documents.
Between August 1964 and December 1968, the Rand Corporation, under contract to the U.S. Department of Defense, conducted approximately 2,400 interviews with Vietnamese who were familiar with activities of the Viet Cong and the North Vietnamese Army. Reports of these interviews, totalizing approximately 62,000 pages, constitute a rich source of information about political and military upheaval in a developing country, Vietnamese rural life, the Viet Cong and the North Vietnamese armed forces and many related subjects. The documents describe conversations with prisoners captured by South Vietnamese or U.S. forces, defectors who voluntarily left the Viet Cong or the North Vietnamese Army as well as refugees from battle areas. Many of the reports have a poignant, human quality; nearly all are informative about conditions in Vietnam. In December 1971, action was initiated to make these interview reports available to the public. The decision to provide access to these documents entailed a scrupulous double reading of all the reports and blocking out of information that might enable identification of the respondents.
The University of Miami holds approximate 1,780 (48,000 pages) out of the 2,400 interviews conducted under this study.
Henry Reich, Jr. was a poet and author, member of the American Literary League, a previous New York secretary of the Rebel Poets, and a frequent contributor to newspapers and magazines. The collection predominantly consists of Reich's correspondence, and his poetry and articles. The form of these poems and articles range include manuscripts, typescripts, clippings, scrapbook compilations, and periodicals and books in which Reich's poetry appeared. Notably, four issues of The Jewish Forum from 1927 in which Reich was published are included.
Also included are several photographs of Reich.
Dr. I. A. Richards (1893-1979) was an influential English literary critic and rhetorician. His books on literary criticism, especially The Meaning of Meaning, Principles of Literary Criticism, Practical Criticism, and The Philosophy of Rhetoric, are taken to be founding influences for the New Criticism. Richards is also considered one of the founders of the contemporary study of literature in English.
The I. A. Richards Collection at the Special Collections department contains a large selection of Richards' work in language learning and literacy, in the form of textbooks, workbooks, brochures, audio-visual materials, index cards, phonograph records, and slides.
Joaquín Roy is Jean Monnet Professor of European Integration at the University of Miami and Co-Director of the European Union Center of Excellence, Miami. The collection consists of personal materials and documents from organizations or programs in which Dr. Roy was personally involved.
Series I contains typescripts, books, and publications from the Letras de Oro program organized by the North-South Center at the University of Miami. This program awarded prizes and published novels, poetry, theater plays, essays, and literary criticism in the Spanish language.
Series II contains newspapers, periodicals, brochures, pamphlets, publications, reports, letters, clippings from the Florida Catalan Society.
Series III contains personal materials from Dr. Joaquín Roy, including typescripts and manuscripts, lecture notes, periodicals, letters, clippings, bibliographies, and other materials. Included among the typescripts are ones for Julio Cortázar Ante Su Sociedad, ALA : Periodismo y Literatura, and Lecturas De Prensa.
The records of the Save the Alhambra Water Tower Committee document the successful mission of a local historic preservation organization to protect the Alhambra Water Tower, a Coral Gables landmark. The collection includes scrapbooks, committee records, financial documents, photographs, and minutes of meetings.
The Alhambra Water Tower, once a functional part of the Coral Gables water system, has survived time and weathering to remain an architectural symbol of the community. The Save the Alhambra Water Tower Committee raised money and awareness to contribute to the refurbishment and preservation of the historic structure.
The Abraham Schwazkin collection consists primarily of Jewish cantorial sheet music and lyrics.
Also included are a birth certificate and marriage certificates of Schwazkin, a 1953 copy of the B'nai B'rith messenger newspaper, a catalog, several yearbooks from Jewish congregations, a photograph, and a series of letters between Schwazkin and a Mrs. Morrison from 1940.
The Calvin Shedd Papers consists of approximately fifty letters and documents of a Civil War soldier stationed in Florida from 1862-1863. Calvin Shedd served with Company A and Company C of the 7th New Hampshire Regiment. Shedd and his family, a wife and three daughters, were frequent correspondents. The documents consist only of Calvin Shedd's letters, with no responses from family members available. The letters comprise a fascinating, thoughtful summary of one man's experiences during this tragic era of American history. The lengthy, detailed letters offer an insightful view of Shedd's military activities, observations on life in Florida, and his concerns for the wife and three daughters he left behind in New Hampshire.
The Seventh Regiment left New Hampshire on January 14, 1862, and traveled to New York where soldiers passed a month of relative inactivity. On February 13, 1862, orders directed the troops to the Dry Tortugas in Florida. Six companies under the command of Colonel Putnam embarked on the S.R. Mallory, and four companies under the direction of Lieutenant Colonel Abbott left on the barque, Tycoon. The Tycoon reached the Dry Tortugas in sixteen days, the S. R. Mallory arrived six days later. Two men died of an outbreak of yellow fever on the Tycoon, a sampling of things to come in the weeks and months ahead.
The Dry Tortugas, located at the far end of the Florida Keys, served as a principal depot for the distribution of rations and munitions to union forts and military posts in the area. The Seventh Regiment was stationed at Fort Jefferson, where "good quarters were arranged and other preparations made for the comfort of officers and men." Primary duties for soldiers consisted of garrison and fatigue duty, with military drill in infantry and heavy artillery.
On June 16, 1862, the regiment embarked for Port Royal, South Carolina, and arrived safely on July 22, 1862. Troops remained here, engaged primarily in picket and guard duty, until a September 15, 1862, re-assignment to st. Augustine, Florida. In st. Augustine the major effort was on recruitment, as the regiment lost some two hundred men to death and discharge since leaving New Hampshire. The regiment remained in st. Augustine until May, 1863, when it was ordered to Fernandia, Florida, to relieve the Seventh Connecticut Regiment, and then to Hilton Head, South Carolina, in preparation for efforts to attack Charleston. ln June, 1863, fortified with approximately one hundred new recruits, the regiment headed to Folly Island, to prepare the batteries that would support the landing of forces.
The unsuccessful assault on Fort Wagner cost more than two hundred lives, including many important officers. The regiment remained stationed on Morris Island for five months of intensely warm weather, serving duty in trenches, on picket and in fatigue. On December 20, 1863, the regiment left Morris Island, and prepared for a return trip to Florida.
The Ralph E. Shikes papers consists primarily of letters to and from Camille Pissarro, a French-Danish Impressionist painter. In addition, the papers contain Mr. Pissarro's will.
The papers also contains papers and letters from other artisits, such as Vincent Van Gogh, as well as various photographs, negatives, postcards, and a thesis written by Alexander Seltzer covering the topics of anarchism, antisemitism, the press and the Dreyfus affair.
Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.
The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.
Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.
Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.
Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.
The Isaac Bashevis Singer Collection consists predominantly of correspondence written to Singer during the years 1978 to 1982. The correspondence is divided topically into the following categories: agent correspondence, autograph and photograph requests, fan mail, financial papers, Hebrew and Yiddish correspondence, legal affairs, miscellaneous, "new writer" requests (letters from authors asking Singer to read their work), personal, protocol, publicity, publisher and producer correspondence, requests for information, requests for money, and requests for interviews or speaking engagements.
Also included are manuscripts by Singer, periodicals, brochures, photocopies, and clippings with content from or about Singer, and writings by other authors.
The Theodore Spicer-Simson Collection contains the Spicer-Simson medallions as well as photographs, correspondence, typescripts and other related material.
The bulk of the collection consists of the Spicer-Simson medallions. These are portrait medallions cast in bronze of major world and literary figures from Spicer-Simson's lifetime. All of these were sculpted from life. Notable among these are David Fairchild, Padraic Colum, Henry Ford, Sir Ernest Rutherford, Sherwood Anderson, Theodore Dreiser, Franklin Delano Roosevelt, and other important figures in addition to person friends and family members of Spicer-Simson.
The collection contains many other examples of Spicer-Simson medals in the form of medals, awards, and sculptings that Spicer-Simson created. Included in these are medals sculpted for the National Academy of Sciences, Princeton University, the Guggenheim Foundation, and the U.S. Congress. The collection also contains clay and plaster molds of medallions, including some small pieces of sculpture. In addition to all his sculpture and medallions, the collection contains examples of Spicer-Simson's other artwork in the form of sketches, drawings, and bookplates.
Spicer-Simson's autobiography, A Collector of Characters is held in the collection, along with the typescripts of the book. The collection's correspondence includes correspondence from Hervey Allen, Padraic Colum, H.L. Mencken, Eleanor Roosevelt, Sir Ernest Rutherford, and Marjory Stoneman Douglas. The photographs include mostly photographs of medallions and sculpture, including some not in the collection, but also contain many photos of Spicer-Simson's subjects, some of these mounted and autographed.
The Helen S. Sternfels Papers contains the following items:
A number of turn of the century programs and playbills from New York playhouses such as 14th Street Theatre, Academy of Music, American Theatre, Broadway Theatre, Criterion Theatre, Grand Opera House, Harlem Opera House, Manhattan Opera House, Manhattan Theatre, and others.
A series of issues from the Puck and Judge humor and satire magazines, from the late 19th century.
Several souvenir books and song books.
An issue of the New York Times Jubilee Number, September 18, 1901, an issue of the New York Daily Times, September 18, 1851, a souvenir issue of The World Paper, 1903, celebrating the construction of the Williamsburg Bridge, and an issue of Harper's Weekly Journal of Civilization, April 2, 1864, an April Fool's issue on the Civil War with cartoons by Thomas Nast .
The Joan Sturhahn Papers contains a typescript with corrections of her 1976 work Carvalho, Artist-Photographer-Adventurer-Patriot: Portrait of a Forgotten American. This typescript, however, is titled "Solomon Nunes Carvalho, Recorder of History with Brush and Lens, 19th Century American Scene."
Also included is a note from Sturhahn to Dr. Charlton Tebeau that accompanied the typescript sent to him.
The Walter Tennyson Swingle Collection contains research material and correspondence of Walter T. Swingle as well as translations and correspondence of Michael J. Hagerty. The Swingle portion of the collection is comprised of his articles, manuscripts, diaries, and most of Swingle's correspondence between 1885 and 1951.
The correspondence gives an overview of his botanical and plant introduction work as well as his personal life and travels. The bulk of the correspondence are letters from distinguished colleagues such as Herbert J. Webber, Dr. Beverly T. Galloway, W.A. Kellerman and others from the U.S. Department of Agriculture.
Also included in this group are correspondence between Swingle and David G. Fairchild, noted Florida naturalist and one of the men who conceived of a sub-tropical garden in Florida and for who Fairchild Tropical Garden in Miami, Florida is named. Their correspondence details an account of their collaborative work and friendship.
Swingle's research material includes notes, notebooks, and large number of first accounts of citrus in the Original Citrus Literature, containing a number of articles by Carolus Linnaeus.
Of special interest to the University of Miami is material dealing with Swingle's tenure as Consultant in Tropical Botany at the University, as well as some interesting material dealing with his U.S.D.A. work in Brazil in the 1930's.
The Hagerty portion of the collection consists most importantly of translations made by Hagerty of Chinese accounts on botany for the Swingle's work in the Department of Agriculture. It includes a very large translation of the Chinese accounts of citrus from the Chinese Imperial Encyclopedia which is over 500 pages long and very important to Swingle's study of citrus. Also in this portion are found a very large amount of correspondence between Hagerty and Swingle which details most of their work together for the U.S.D.A.
Bound folio and a loose sheet of music of "Trilogy from the Song of Solomon," consisting of the songs:
1. "I am my beloved"
2. "I called him"
3. "The voice of my beloved"
The Minnie Moore Willson Papers document the life and career of a noted Florida writer and advocate for the Seminole Indians of Florida. The Papers also include materials related to her husband James Mallory Willson, a prominent Kissimmee businessman and a defender of Seminole Indian rights. The Papers were purchased by the University of Miami in the late 1940s from the Elizabeth Aultman Cantrell Historical Museum in Kissimmee, Florida. Selected materials from the Papers, including books, maps, pamphlets and some periodicals were removed from the collection and sent to the appropriate areas in the Library.
The collection includes material from Minnie Moore Willson as well as material from her husband James Mallory Willson. The Minnie Moore Willson Collection consists of correspondence with individuals including Florida Senator Duncan Fletcher and Florida Representative Ruth Bryan Owen. Correspondence files also include letters with Seminole Indians such as Billy Bowlegs, Tony Tommie and other prominent Seminole Indian chiefs. The collection contains a number of manuscripts by M.M. Willson related to the Seminole Indians and such issues as the equality of blacks and Southern politics. Additional material relates to the creation of a bird sanctuary in Kissimmee, Florida.
James M. Willson's papers contain business records including correspondence, abstract of titles (original and copies) scrapbooks, and financial records from the 1880's to the 1930's (in the latter years Minnie Moore Willson handled the business correspondence due to illness). Correspondence deals with Mr. Willson's real estate and insurance business in the Kissimmee area. The files also contain manuscripts, correspondence and material collected or written by Elizabeth Cantrell, niece of James Mallory Willson. Correspondence to and from S.B. Aultman (Elizabeth Cantrell's father and brother-in-law of J.M. Willson)and letters with Dr. Howard Kelly, a family friend and widely known surgeon are also organized in these files.
The collection also includes several newspaper clippings from the late 1800's through the 1930's. The majority of these clippings are from Florida-based newspapers. Several maps of Florida have been removed from the collection and placed with Map Collection.
Also included are photographs of the Willsons, Seminole Indians, plants, and animals. The collection also includes postcards depicting scenes from Florida and the United States.
William Clark Wimberley is known for his published 1832 drama The Death Summons; Or, The Rock of Martos.
William C. Wimberley papers contains an unpublished manuscript of a play titled Atala. Wimberley took as his theme the story of Atala, the half-Seminole Christian daughter of a Seminole chieftain, created by François-René de Chateaubriand in his 1801 novel that bears the same name. Wimberley's play is divided into four scenes, with seven characters.
Thomas J. Wood was professor of government at the University of Miami. The Wood Papers document the move to consolidate the city of Miami and Dade county governments. Legislation introduced in 1945 represented the first effort to combine local governments and alleviate conflicts and confusion resulting from overlapping city and county functions. The various municipalities, however, opposed the bill. Although a similar effort was made in 1947, no change occurred until 1953 when the Metropolitan Miami Municipal Board organized to draft a new plan for municipal and county government in Dade County. As the Board's initial step, it hired the University of Miami Government Department to supervise a survey of Greater Miami governments. The university contracted a firm of professional government consultants, the Public Administration Service of Chicago, to begin research. Members of the Government Department reviewed the findings and reported to the 3M board. A special Charter Board of the 3M board drafted a charter and legislation to reorganize local government and initiated a campaign to promote metro government.
The Wood papers include political advertisements, correspondence, minutes of meetings, clippings, transcripts of radio broadcasts, survey forms and government reports.
The Elizabeth Wright collection predominantly contains materials relating to Richard Wagner and family members. The materials cover a wide range, including memorabilia, such as a Wagner-themed card game and a ceramic plaque of Richard Wagner, an original note by Siegfried Wagner and facsimiles of letters by Wagner, original photographs of Wagner family members as well as facsimiles and prints of Richard Wagner and others, original advertisements and programs of Wagner's operas, a radio transcript and a typescript about Wagner's composition and staging, and a series of prints depicting scenes from Wagner's operas.
There are also several items not related to Wagner. These are a letter from W. Somerset Maugham, an autographed print of mezzo-soprano Mariana Paunova, and prints of other composers such as Beethoven, Mozart, Liszt, and Richter.
Ione Wright, a Professor Emeritus at the University of Miami, researched the development of Pan American Airlines' Transpacific service. The Ione Wright papers contain documents, oral histories, photographs, operations manuals, maps, and other materials related to the history of Pan American Airlines, including materials related to Victor Wright and materials documenting the establishment of routes in the Pacific.
The topical files document a variety of subjects related to Pan American Airlines, dating from 1920-1986. Ione Wright compiled many of the files during her research on the airline’s activities in the Pacific, including correspondence with former Pan Am employees and oral history transcripts. Also included are photographs, files related to the China Clipper, and a variety of Pan Am publications.
The collection also contains navigation manuals and operations manuals for Pan Am airplanes, including the B-727, the DC-4, the DC-6, and the DC-7, as well as operations manuals for Pan American Airlines’ Latin American Division.
Also included a variety of maps and aviation charts for parts of the United States, South America, and the Caribbean, as well as route maps for Pan American Airlines, and a map of the United States by John Melish from 1816.
The Youth Crime Watch of Dade County (YCW) serves Miami-Dade county schools in responding to requests for services from school faculty representatives on youth crime prevention presentations and YCW program implementation trainings.
The Youth Crime Watch of Dade County Collection consists primarily of arts and crafts items, all titled "A Safe and Perfect World", which were created by Dade County students. The collection also contains several poems, a laminated scrapbook titled "Give the World a Hand!", and various clippings from local newspapers.